What do you think?
How am I gonna tell this story…what story do I even focus on? I can see this film being told as a journey…a journey to find and tell the untellable story of Kosovo. One where you interview people, asking them how they might go about telling their country’s story. So, rather than telling some political saga, or a “What bleeds, leads.” story, focus on why we can’t focus on these stories. The bottom line is, even a neutral story in Kosovo will turn into a divisive, controversial film, that will most likely do more harm than good. It’s as if you need to go into Kosovo and make a film that has nothing to do with the real story you want to tell, hoping that in some way, it’s a vehicle that allows the truth to rise to the surface. What could that “catalyst” story be?
Could it be a documentary telling the story of how the Albanians and Serbians worked together, and made a narrative film? So, you actually go in, and film the two groups working together on a film project that really has nothing to do with Kosovo. They tell their own story, write their own script, direct their own actors, and I simply capture the story of their story. This would of course require getting a good script, getting a team of people who’ve never worked in film to somehow come together, work for free, and produce, light, shoot, act, and edit a narrative film.
So, the story would really have nothing to do with Kosovo, but in actuality, it would have everything to do with Kosovo; bringing two conflicting people groups together on a project that could only be pulled off if people work together, focusing on the common goal of story telling.
Could it be a documentary telling the story of how the Albanians and Serbians worked together, and made a narrative film? So, you actually go in, and film the two groups working together on a film project that really has nothing to do with Kosovo. They tell their own story, write their own script, direct their own actors, and I simply capture the story of their story. This would of course require getting a good script, getting a team of people who’ve never worked in film to somehow come together, work for free, and produce, light, shoot, act, and edit a narrative film.
So, the story would really have nothing to do with Kosovo, but in actuality, it would have everything to do with Kosovo; bringing two conflicting people groups together on a project that could only be pulled off if people work together, focusing on the common goal of story telling.

